Evaluation of expanded gamut software solutions for spot color reproduction

Expanded gamut printing is an approach in color reproduction that expands the color gamut of conventional CMYK printing processes via the use of additional colorants, such as Orange, Green, and Violet inks. This study evaluates the ability of commercial color management software to create an accurate solution for an expanded gamut printing system. In this study, two printing processes were used, an Epson SureColor P9000 inkjet printer/proofer and an HP Indigo 7900 digital production press, both with 7-color expanded gamut ink sets. Software solutions from Alwan, CGS ORIS, ColorLogic, GMG Color, Heidelberg, and Kodak were evaluated. The systems were tested to see how well they could reproduce the colors in the entire PANTONE+ Solid Coated spot color library. It is shown that the solutions are able to reproduce 89% to 94% of the spot colors on the Epson P9000 inkjet printer and 77% to 87% of the library on the Indigo 7900, both to less than two CIEDE2000 (a typical tolerance in label and packaging work). The number of color patches in expanded gamut characterization test charts was noted, as this is still an area of proprietary, nonstandardized working practice. There are many different colorant combinations that can make the same color in expanded gamut printing. The ink build created by the different software solutions was studied, as it relates to press stability through appropriate choice of colorants. Pantone and Adobe provide everyday commercial tools for expanded color workflows. The study identified some issues with products from these companies that could confuse a less-skilled user in a busy production environment. The conclusion of the study is that expanded gamut solutions for spot color printing produce totally acceptable results for digital printing processes; expanded gamut printing is ready, here and now. The findings show that expanded gamut printing can replace cumbersome conventional spot color workflows creating considerable savings and advantages, especially for label and packaging printers.     

Nonconscious control mimics a purposeful strategy: Strength of Stroop-like interference is automatically modulated by proportion of compatible trials.

The magnitude of the Stroop effect is known to be modulated by the proportion of trials on which the irrelevant word and relevant ink color correspond. This has often been attributed to a conscious strategy of increased (or decreased) reliance on the irrelevant words when these are more likely (or less likely) to correspond to the ink colors. However, the present data from a Stroop-like task involving successively presented arrows indicate instead that this type of modulation can be automatic because it can occur even if the irrelevant stimuli are not phenomenally visible. In this case participants cannot determine the proportion of compatible trials to direct their strategy. An automatic, item-specific associative interpretation can account for these findings. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

An algebraic method for processing colored images

An 8-valued commutative ring is developed to process colored images. Algebraic operators are defined to perform a number of operations such as the extraction of the primary colors and contours of different colors.     

对光学瓦斯检定器干涉条纹的探讨

本文从对光学瓦斯检定器干涉系统两相干光光程差产生原因的分析，探讨其干涉条纹的成因和干涉类型。     

基于数字化二次曝光干涉的光学元件波前畸变测量

将傅立叶变换条纹分析方法与二次曝光全息干涉计量相结合，提出了数字化二次曝光干涉术，用于测量光学元件引入的波前畸变。文中给出了理论分析，模拟与光学实验结果证实提出的方法具有高精度、快速的波前测量特点，可应用于激光系统中光学元件的波前畸变在线检测。     

Analysis of color symbology from the perspective of cultural semiotics focused on Korean costume colors according to the cultural changes

The purpose of this study was to analyze the symbolization of colors as cultural codes, based on costume colors. In order to study the significance of colors in cultural changes, we carried out a quantitative analysis and interpreted it from the perspective of cultural semiotics. The range of this study was focused on Korean costume colors, over diverse diachronic stages of Korean culture. For this study 1535 color samples were collected, measured with a spectrophotometer, and analyzed quantitatively according their diachronic stages of origin. As a result, red, blue, and yellow were found to be the most frequently used colors during the Chosun Dynasty, a period based on Confucianism. These colors acted as cultural codes with cultural significance. During the Modern times pink, light blue, and black increased in frequency and represented the reception of western culture, the changing sex role of women in society, and utilitarianism. In these days, neutral colors and grayish tones of all colors are the most significant colors of high frequency. The use of such colors is closely related to industrialization, mechanization, functionalism, and the changes of women's sex roles in the societies. They are used as cultural codes, especially to emphasize a rational and masculine image rather than a feminine image. © 2006 Wiley Periodicals, Inc. Col Res Appl, 32, 71–79, 2007; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20290     

牙科陶瓷配色方法和应用的初步研究

探讨牙科陶瓷配色的方法和机理，通过将钒锆黄、锆镨黄、锆铁红、铬铝锌红对牙科陶瓷进行配色。采用分光光度计测量了样品的L＊、a＊、b＊值和色差，并与VitaA2和ceramcoA2瓷粉对比，研究了样品色差与配方之间的关系。